Tag Archives: tablet

Why Academic conferences need to change, and why Powerpoint is a dead technology walking

I’ve been travelling around Australia giving workshops to teachers about presentation skills as well as technologies and mental health. Few teachers have ever heard of Apple’s Keynote presentation software, as I discovered when many came up to me after my presentations to ask how I did what I did – the why was pretty obvious!

I’ve also in the meantime been asked to become part of my professional society’s organising committee for its 50th anniversary conference in Queensland in 2015. I was part of the organising conference for its 25th anniversary where I was much involved in both the social program as well as the media coverage.

I think this time around my involvement will be concerned with social media, something that didn’t exist as we know it now all those years ago.

So with this in mind, I was delighted to see in my Zite feed today a blog post from a professor of Sociology, Steven Fuller, now at Warrick University in the UK.

Here is its title, and link:

Six principles for organising academic conferences in the 21st century

When I read the blog entry, I tweeted, “Halleluya, Brother”, so happy was I to see someone who also wished changes for academic conferences.

You can read the bulk of them at Fuller’s blog, but let me highlight (with the author’s permission) his first thee principles for presenters:

1. A conference is a distinct channel – perhaps even genre – of academic communication. It is not a watered-down or zombie version of the academic print culture. It requires its own ‘peer review’ standards that do not simply trade on the conventions of academic writing. Thus, instead of abstracts, prospective presenters should send video clips of 1-3 minutes that convey what will be said and how it will be said.

2. Presenters should be strongly discouraged from reading their presentations. More generally, presenters should be forced to make a special case for presenting material that is already available in print. The norm for conference presentations should be new material – unless a presenter hails from a field with which conference members are unlikely to be familiar.

3. Presentations heavily reliant on Powerpoint should be gathered thematically into what are essentially high-tech poster sessions rather than be given stand-alone speaker slots. This may mean that a larger percentage of the space in the conference facility is given over to such sessions. Indeed, organizers may wish to consider that the explicitness of many Powerpoint presentations render the human presenter redundant. Thus, interested conference goers may simply be directed to a computer terminal where all the Powerpoint-based presentations are loaded, perhaps with recorded voice-overs from the absent presenters.

I like these sentiments – a lot!

Fuller clearly understands that academic conferences need to change, and how presenters are selected and expected to present is different from that which pervades conferences now, based almost exclusively on the same principles as for paper publications.

He recognises that conferences are not the place for the regurgitation of printed articles, but are a meeting place of ideas, and where presentations to large groups need to be exceptional.

Along the same lines, today I also continued to read an eBook by Clive Thompson, called Smarter than you think: How Technology is changing our minds for the better.

It neatly follows my lectures to teachers this past month where I have described the history of moral panics down the centuries when new technologies have been introduced. Whether it be the loss of jobs or whole industries, our brains are changing, “knowledge is power” struggles, or issues of privacy, how we change technology and how technology changes us is an important ongoing discussion we need to be having.

Certainly, technologies like Powerpoint and Keynote and Prezi are changing how we distribute knowledge, and readers of this blog will be aware of my beliefs that it’s not all positive, especially in the case of Powerpoint. While many still follow the meme that Powerpoint is merely a tool badly used by too many, I fall into the camp that it is a very poor tool to begin with for knowledge distribution, especially in an age which is demanding far more audio-visual literacy, as Thompson points out.

A few choice quotes from the book:

thompson ppt

and

tompsonppt2

I don’t know that I need to place too much context around these quotes about Powerpoint – the astute reader will get the picture. It’s one of the things I have been banging on about consistently in my Presentation Magic workshops for those who attend: that the world of knowledge transfer, sharing and engagement is undergoing a radical shift and the usual means – i.e., traditional and socially normed – will no longer cut it as the 21st Century progresses.

Using software merely as an advanced overhead projector system – for which Powerpoint was originally developed for the Macintosh in the mid-1980s is a dead technology walking, no matter how you spruce it up, as we’re about to see when the next version for Windows is released soon.

The next generation of learners, employing their iPads in school, will be using Keynote or equivalents available on the iPad since 2010, with Powerpoint on the iPad mainly used by those currently in industry compelled to use the desktop version and needing some sort of tablet parity mobility.

But may I suggest, a whole generation of young people will never use Powerpoint. Kind of makes a mockery of all the educational administrators all those years ago who insisted their schools to standardise on Microsoft products like Word and Powerpoint because “that’s what the kids will be using when they enter the workforce in ten years”.

Yeah, right!

Please Mr. Jobs: Suck in the publishers with your tablet’s promises of saving their sorry backsides, then grab them where it hurts, don’t let go, and change the way science moves forward

I was born in the same year as Steve Jobs and Bill Gates. Turning 21 in 1976 was a special event according to Malcolm Gladwell in his most recent book, Outliers.

In the same year, 1976, Sun Microsystem founders Scott McNeally and Bill Joy were also 21, turning 22. Microsoft co-founder Paul Allen was already 23. These five men have had a huge collective impact on how we work and spend our leisure time, even if at the time they began their enterprises, they didn’t know what was ahead of them.

Gladwell’s hypothesis is that their youth and backgrounds came together with the technological zeitgeist to allow them to do what they did in their early twenties, while companies led by men and women in their forties and fifties couldn’t grasp what was to come.

I mention this because so many of my professional colleagues still have not grasped the relevance and importance of the technologies these men developed, describing to me how they’ve been dragged kicking and screaming into using technologies for the professional lives. Last year and in 2008, I ran courses for my colleagues on how to make their professional lives a little easier using technology and the level of “Oh my gosh – you can do that!” was palpable.

It felt the same way when I visited Boston in November for the “Learning and the Brain” conference (I’m heading to a follow-up after Macworld next month in San Francisco), and attended a session by a class teacher who now offers workshops for teachers working with children of the digital age, so-called Millenials.

Her breathless “Gee-whiz, look at what Facebook’s doing” was incredibly annoying and I had to bite my tongue on several occasions. But I have to acknowledge that perhaps I am an exception, if I compare myself with others my age. My partner’s children who are in their early twenties think she and I are so cool, because we got them both to take up the Mac platform, to take on iPhones, and we do their tech. support for both. Usually it’s the other way around in families.

My first direct contact with a computer was a mainframe at university in second year when I had to learn to program in Fortran and use punchcards. My first contact with SPSS, a major science statistical package, also used punchcards. I recall doing my Masters in 1980 when visiting the library to perform a literature search meant speaking the with librarian, spending time finding the right keywords to search with, then waiting a week for the printout search results to became available.

After, I headed into the journal stacks to start locating the articles and photocopying them. Later, I learnt how to use Current Contents and Psychology Abstracts to better guide my quest, but it was all so slow and tedious.

After joining Compuserve around 1990 and getting my own email address (1000033.271@compuserve.com or something similar) I used its very expensive service (I had to call overseas @ $2/min in 1990 dollars) to track down articles and publications.

Later, when the intertubes became available (I was firstly lposen@ozonline.com.au) as well as lposen@aol.com (don’t worry, it already gets so much unchecked spam) a whole new world of communicating with peers and researchers opened up. Whereas before I had used snail-mail to write to researchers for paper copies of their original research – the turn-around time would be around three weeks if they responded promptly – I could now email the senior author and often overnight a response would come together with a PDF or link to a website, with the bonus of a email-based dialogue commencing.

Let’s fast-forward to January, 2010. I still email authors, but more and more I am using Google to track down original research publications, often on researchers’ own websites, or free in certain journals. Or I’m using software such as DevonAgent or Papers to both search and archive research papers. (I highly recommend these Mac applications for researchers.)

When one gets used to free, it becomes hard to bring oneself to pay. Even when one knows it’s the “right” thing to do in terms of copyright and rewarding creativity. Millenials especially seem incapable of understanding the idea of paying when they have spent their lives knowing how to obtain their music or videos for free.

Every so often, despite my assiduous efforts to track down free publications, I am refused entry and referred to payment pages for journal articles. I get the abstract for free, then a link to download a PDF or MS Word file takes me to a virtual payment checkout. I’m talking here of peer-reviewed research, the sort of thing I’m meant to read to keep myself current by law. With hundreds of journals publishing relevant research, I cannot afford to subscribe to each one for the occasional relevant article. Nor do any of my alma maters offer a service where as a graduate I can access their electronic libraries as do enrolled students and faculty.

So like many independent practitioners, I have to rely on my wits to get what I want. I join discussion lists where others have access to material they can distribute and of course I continue to email directly.

It’s an OK system, but it can be improved upon. Others have also recognised the almost prohibitive cost encountered with paper-based science publications, and together with concerns about the peer-review process, have begun online, copyleft-type clearing houses of information. One such community is PLoS, the Public Library of Science.


PLoS is

“… a nonprofit organization of scientists and physicians committed to making the world’s scientific and medical literature a freely available public resource. All our activities are guided by our core principles.

Open Access: Everything we publish is freely available online for you to read, download, copy, distribute, and use (with attribution) any way you wish. Watch 1-minute videos from a teacherfunderpatient advocatephysician scientistlibrarian, and a student about why Open Access matters to them.”

You can also send your original research to PLoS and have it peer-reviewed.

Now, you might want to know the views of those in the mainstream journal domain and if they feel their money stream to be challenged by PLoS. So I Googled to find out and one of the first results came from one of the premier science journals, Nature:

Ah, the irony! To read what Nature has to say about a free peer-reviewed journal system, I have to pay for it!

What was it Reagan said to Gorbachev? “Mr. President, tear down these walls!”


Well, I’m saying the same thing to Steve Jobs: “Steve, mate, help science along by luring the publishing world in with a tablet as a lifeline to a dying industry, then grab them by the short and curlies like you did with the music industry!”

You see, if I could get a hold of a journal article for my tablet for 99c, I’d grab it in a heartbeat. But how much do publishers want now for a single article?

Take a look below at a screenshot of an article I wished to buy today, from a lead sent to me by a fellow twitterer:

This is a 9-page article published by the APA, one of the USA’s premier associations for psychologists and a major publisher of peer-reviewed research.

I would spend $11.95 on a book, but not an article unless I was heading to a deadline and my article was incomplete without referencing this publication. And you can bet I’d claim a tax deduction for “Professional Library“.

Occasionally, journals will offer one or two free articles in a special journal devoted to a particular topic, but more often than not I am asked to pay exhorbitant rates to download pdf files.

Now, let’s have a look at another system, this time from the National Academies Press. In 2007, I read a review of a great and recommended book on the so-called Information Overload problem, authored by Alex Wright called: Glut – Mastering Information through the Ages.

This is a book you ought to read if you believe information overload is a problem of modern times, and Wright, with his library studies background, does a great job offering up a history of humankind’s making sense of the world. It’s nothing new, to give you the three word synopsis.

After I had read the review (Google <Alex Wright> to find a video of him speaking at Google) I was satisfied it was a book I wanted on my bookshelf.

A brief search lead me to the NAP site, where to my delight I discovered a number of ways I could access the book.

Firstly, I could order the book delivered to my postal address, and pay online for a discount. Fine. Or, I could for a little extra, order the book AND a PDF of the book too. Which meant several things… I could keep a copy on the bookshelf and on my Macbook Pro for reference and for cutting and pasting text into my Keynote presentations; I could access the illustrations for fair use without having to resort to photocopying and scanning to put it on a slide; I could copy and paste sections within fair use into an email to send to friends to interest them in the book and open discussion.

Or, I could preview each chapter, and order one as I went along, eventually owning the whole book in PDF format. So, if after reading the first chapter, or perhaps reading a chapter of interest, I could leave it there. It’s a little like sampling music on iTunes. I can hear some of the tracks, I can buy the album, or I can buy the individual tracks.

Take a look at the NAP website screensite below to see the options:

Here you can see the options offered. Notice, will you, the price per chapter: $1.70

That’s a far cry from $12 for a journal article. Now you might ask how many pages per chapter.

So if you click on the website, you get to see how to download each chapter for the same $1.70 no matter how many pages (sound familiar?)

Take a look below….

Isn’t this the iTunes music model, but already existing for publications?

Buy the whole thing (even in hardcopy) or the whole PDF which will download as soon as you pay (its 63MB will take under a minute on ADSL) or buy both and wait until the hardcopy arrives in the mail. Apply the same to journals. Even now, only a few articles in each journal I receive as part of my professional membership registration interest me. The rest is a waste of paper.

Mr. Jobs, please let me do this now with publications. I’ll still try and get what I can for free by writing to authors and opening up a dialogue, just like some musicians give away their music, but let them earn a buck and let me gain easy, ready access to articles I can read on my tablet. Just make it affordable and within a click or two’s reach. The irony is that researchers get nothing when their work is published in peer-reviewed journals. But it’s imperative they publish, not just to advance science, but to satisfy their institution’s employments policies (“publish or perish”), obtain tenure, make a name for themselves to get a book contract, or  publish research sponsored by well-heeled corporates especially the pharmaceutical industry, then do the lecture circuit.

And do a deal with PLoS so they can earn some money for their efforts and offer even easier access to their wares. Using the expected multimedia capabilities of the tablet, let me see the authors discuss their experiments, show me any experimental equipment they perhaps used or questionnaires they employed I too can access via the tablet, and let’s move science forward rather than hold it back via paywalls. You know information wants to be free, right?

(UPDATE January 12, 2010: Searching through various twitter conversations showed up the Journal of Visualised ExperimentsJoVE – which is a visualised journal for the biological sciences. This is the sort of peer-reviewed research which would find an easy home on the tablet).

Despite what I said at the very beginning of this entry about my colleagues’ lack of technological-savvy, an easy to use tablet with a no-brainer yet compelling user interface and inexpensive access to the world’s knowledge storehouse on-the-run (3G or Wifi or both) will sell in the scores of thousands to scientists alone in the first year.

Pair that up with the ability of students to carry all their now-inexpensive textbooks with them, and you’ll have the next “Mastering Information down the Ages” revolution to further cement your place in history.

(Oh, and let it do Keynote presentations too, please?)

UPDATE (January 8, 2010): This post prompted me to go back and look at the PDF of Glut. Looked high and low, on my several back up drives, and couldn’t find it. So I emailed the publisher from whom I’d made the Book+PDF purchase, with the date of purchase and credit card number retrieved from my iBank finance application, and emailed the customer-support section. Within a few hours, I received an email reply from Zina Jones, National Academies Press’ Customer Service/Order Processing Manager who had retrieved my information from NAP files, and offered me another free download, which I duly complied with!

Think about this: How many books have you left behind on planes, at coffee shops, in hotel rooms, or lent to friends, never to be recovered. It’s not so bad if it’s a work of fiction, but what of a $120 textbook? You can’t just ring about Laurence Erlbaum and Associates and plead “I left my book in my hotel room!” and expect them to FedEx you another copy.

But as NAP has demonstrated (and as iTunes very occasionally allows for “lost” music files), you can recover your missing book and very quickly too, if you have kept track of your purchases. (It’s also why I never delete those receipts from the iTunes music store).

UPDATE – January 15, 2010: I located a very scholarly blog entry entitled:

Why Hasn’t Scientific Publishing Been Disrupted Already?

by Michael Clark (January 4, 2010)

Highly recommended reading

Forget an Apple tablet’s form factor – yeah, it’ll be stunning – it’s the apps that will be its ultimate success. Especially the ones that let you self-publish: 70% for you, 30% for Apple

Three years ago, speculation was rife that Apple would release a mobile phone at Macworld 2007. Apple kept shtum, admitting nothing publicly but as history now show, a chosen few got their hands on the iPhone ahead of its release under NDAs.

I wrote about it then on my now-orphaned Cyberpsych blog, not ready to accept it was actually coming, but predicting if it did arrive, it would contain all the hallmarks of Apple product design we’ve become familiar with over the years, especially since Jobs returned in 1997.

During December especially, with Macworld 2007 being the first week of the new year, the rumours and “confirmations” mounted daily, and now in 2010, in feels like deja vu all over again.

Another landmark product, which as Jobs showed with the iPhone gives Apple a further opportunity to introduce the next interface (r)evolution to the masses, is my prediction, despite commentaries asking why we need another tablet (Joe Wilcox, don’t hold Apple to Microsoft’s product standards and marketing).

If you’ve been watching Apple for the last decade or so, or at least kept up your observation at a distance of how Jobs operates, you’ll know his design mantra centres on bringing complex engineering feats within the reach of ordinary users who don’r need degrees in rocket science to manage. This kind of exactness of execution and attention to detail can’t be achieved at the cut throat prices Apple’s apparent competitors sell their wares for. I say apparent because Apple and say Dell or HP sell computers with much the same internals. Where they differ is:

1. Design

2. Packaging

3. Marketing

4. Operating System software

5. Point of sale experience, Price and After purchase experience.

For some people, price is all that counts, which is how Microsoft’s most recent advertising using “real” buyers pitched its cause, even acknowledging the coolness of Apple’s products. The coolness factor is meaningless for many, perhaps even a turn off, and as long as the specs. appear much the same, the experience ought to be as well, no?

Er, no. It’s like saying because two presenters use slideware their presentations will be equally satisfying or effective. As if.

So when it comes to an Apple tablet don’t expect just another interface that we’ve already experienced. It’s not the Jobs’ way. Whether it brings with it a new tactile feedback device for both keyboard and object manipulation – such as application “windows” , flicking pinballs in various games, underlining or highlighting words on a page, and turning that page or chapter with the flick of a finger or two which feels like a flick – it will likely exceed what we’ve seen in the iPhone. It gave us visual and auditory feedback, rather than haptic as has been mooted for the tablet.

But if history is to repeat itself – yes, early adopters will pay a special Apple tax – it won’t be the design alone that will win hearts and minds, and have competitors scratching their heads dreaming of counterattacks (apart from suing Apple for alleged patent infringement). As we saw with the iPhone, it’ll be the software. Not just the operating system software, perhaps iPhone OS 4.0, but what the software will allow in terms of Apps. I fully expect a chosen few app. developers will demonstrate their special versions of existing iPhone apps. as well as new ones specifically designed for the tablet. And I further expect companies fully immersed in the enterprise setting in a very big way to show both hardware and software developments which could only be constructed for the tablet. I’m thinking here of medical applications, already utilising tablet configurations for data storage, but which will really come of age with the Apple tablet’s OS and feature set.

I have no insider information, but I will not be surprised if Apple released its own homebrew set of apps for the creative set, in particular versions of iLife and iWork which will enable users to create endproducts which will somehow be compatible with desktop versions of iLife/iWork.

Let’s think of Pages for a moment, with its dual functions as word processing and desktop publisher. What if Apple provided you with all the necessary tools to create your own book, upload it to the new version of iTunes which will be released the same day as the tablet, and be a saleable item – yep, Apple takes 30%, you get 70%.

Talk about cutting out the middle man, the publishers of expensive textbooks, magazines, and novels! There may be a new industry of for-hire editors to help shape it up, deals with sites like iStockphoto to enable you to fill your book with royalty-paid illustrations (or perhaps help you find specialist illustrators who can also show their wares on a new iTunes store), and even the opportunity to add music to your publication from the iTunes store. Apple will take of royalties for the music publisher in one easy and attractive arrangement.

With respect to Pages’ older brother, Keynote, I have some time back (May, 2007) written of what might happen if your Keynotes could be uploaded to the iTunes store.

Again, a place to show your wares, but it seems iTunes U has to some extent executed this vision by using Quicktime movies exported from Keynote rather than raw Keynote files to provide the educational material. Given the possibility that the next version of Keynote may well be Snow Leopard-only, it’s hard to see how a tablet could create Keynote files to be imported into the desktop version.

That’s not to say a tablet couldn’t be integrated with the management of regular Keynote files, much like the iPhone can in a rudimentary fashion. But rather than just control the slides forward and back, why not call up each slide at will while they’re laid out in order on the tablet, big enough to identify. Stacks of slides that go together, which can be organised in Keynote now, would take care of huge numbers of slides in a stack. And going beyond that, as I have suggested elsewhere on this blog, why not use the tablet to live annotate your Keynotes, even monitoring Twitter feedback during your presentation which is becoming a popular conference activity. This already occurs with tablet-based Powerpoint for Windows.

So, to all those focussed on the hardware aspects of the tablet, don’t forget how after the excitement of the iPhone form factor, it was the app store that provides for its clear lead over its competitors (who will ever catch up with 100,000+ apps?).

I have no doubt that while we swoon over a tablet’s form factor in late January, it will be its software, interface and ability to disintermediate the current publishing houses that will be its permanent “of course, why didn’t I see it coming” factors. It won’t happen first, because for the tablet to succeed it will provide for the same publication houses to sell their wares. But as the music recording industry discovered when they allowed iTunes for the Mac to come to market, in a few years, self-publishing via the tablet will have them asking if they made a deal with the devil, which is where the details will be.

Oh, and one more thing… just as with the iPod and the iPhone, watch the detractors leap on it, disappointed the tablet doesn’t also make toast. The usual suspects will also emerge without the wit or elan to actually commend Apple on shifting the digital world forward incrementally. Don’t worry, that’s their job… someone’s got to do it.